PROVO — A Provo native is helping to highlight Ukrainians’ fight for freedom through a documentary about ballet dancers who are preserving art and culture during war. “Ballet, and art in general, ...

Interviews with the Beltracchis and footage of Wolfgang working in his studio make up the bulk of the film. Birkenstock evidently spent years visiting the couple, first at their estates in Mèze in the ...

Support journalism that digs deeper into topics that matter most to ArkLaTex. Donate today to preserve the quality and integrity of local journalism. TEXARKANA, Texas-- Since its debut earlier this ...

In the 1970s, a group of Chicano teenagers got together in East Los Angeles to make art. They staged a Christmas parade in outrageous homemade costumes. They tagged the L.A. County Museum of Art. They ...

Though it may not have always been the case, American culture at the present moment tends towards the former, anxious as ever about facticity and objectivity. When Michael Moore released Bowling for ...

“This is where I’m putting my retirement money,” says a woman in a brief but infuriating scene from the new documentary “Art for Everybody,” about the life and downfall of the enormously popular ...

The host of the Academy of Motion Picture Arts and Sciences' six-episode series talks to The Hollywood Reporter about the changing nature of documentary storytelling. By Abbey White Associate Editor & ...

Cosm, an entertainment, media, and technology company, will give art fans an immersive animated history lesson on some of pop art’s most prominent figures. On Oct. 28, Cosm will present “Inside Pop ...

"He opened up a door that a lot of us went through." Cargo Film has revealed an official trailer for an indie documentary film titled Art Spiegelman: Disaster Is My Muse, a profile of the iconic comic ...

Liam Gaughan is a film and TV writer at Collider. He has been writing film reviews and news coverage for ten years. Between relentlessly adding new titles to his watchlist and attending as many ...

“Good morning,” says a tall blonde woman in a jumpsuit, speaking to a seemingly skeptical crew of green-clad New York sanitation workers—all men—on a sunny day in 1979. “I’m Mierle Laderman Ukeles.