Entitled Duck Pond, the production is a mashup of two fairytales, Swan Lake and The Ugly Duckling, and takes huge liberties ...
Gladwell proposed that in order to master something, you must dedicate at least 10,000 hours to the practice of it.
A part of the Midsumma Festival, Sugar is a thoughtful production that reminds us that fairytales can be bought and paid for, ...
Witnessing opening night of Little Shop of Horrors at the Cremorne Theatre, QPAC, we were amongst it all unfolding. Dress-ups ...
The plot is thin, and the characters feel so underwritten that even the most dedicated actor would struggle to make them fully dimensional.
Now You See Me has presented us with a sweet treat for the eyes, live and present.
Nearly forty years on, David Williamson’s Emerald City is possibly more pertinent, poignant and passionate, the skewering satire and sparkling dialogue finding solid contemporary footing in Mark ...
Orlando starts well with celestial bodies on roller skates orbiting an Elizabethan era spruiker standing on the thick ice of a frozen Thames, but it’s not too long before the wheels fall off. Full ...
Entitlement and envy. Privilege and knowing your place. Boys will be boys and Rule Britannia. And all that rot. It’s POSH by gosh, a play by Laura Wade. Laura wades into the murky waters of the ...
At the forty minute mark, Lauren, the youngest character in Circle Mirror Transformation says something akin to “when are we going to start acting?” At the sixty minute mark, the same character asks ...
Above – Will O'Mahony, Emily Rose Brennan, Deep Sroa and Ratidzo Mambo. Cover – Emily Rose Brennan and Deep Sroa. Photos – Daniel J Grant The title of this play takes its name from a “drinking game” ...
Leaving the Canberra Theatre Centre on Thursday night, I found myself puzzling over the strangely full house I’d just sat among for a surprisingly lightweight musical. To CTC’s credit, its programming ...
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