Malayalam film music scene continues its trend of being a breeding ground for fresh and highly prolific talent. The standout ...

Yealae yealae is barely functional, with a droning sound and a pedestrian tune, and an accordion piece that saves it mildly. Ennai saaithaalae is no better – utterly templatized Harris ...

Kukkotti kunaatti moves seamlessly from the child’s perspective—Praniti’s delightfully innocent “Aala marathula yeraadhey, maangaya parikkaadhey; maanga marathula yeraadhey, thengaaya ...

Duniyaavin seems like Bijibal’s quasi-homage to The Doors, with its energetic and macho guitaring (laidback Roadhouse Blues!)! Bijibal sings it confidently, the song gaining more hardcore rock ...

Kukkotti kunaatti moves seamlessly from the child’s perspective—Praniti’s delightfully innocent “Aala marathula yeraadhey, maangaya parikkaadhey; maanga marathula yeraadhey, thengaaya ...

More than that unique guitar, Ab main‘s brass section adds great value to Raghu Dixit’s utilitarian tune. His other song, Waakeyi, is a lovely, feathery ode to love. Vir Das ...

In Barfani, Gaurav uses Jog raaga beautifully to create a deeply involving melody that’s a throwback to an earlier time. Armaan Malik and Orunima Bhattacharya excel in their respective versions.

Karthik Raja’s melody in Ithuvarai naan is lush and indulgent; thankfully, there’s a Chinmayi version, and a Government decree may be the only way to get Yuvan to stop singing!

That Sam ropes in Hariharan for Oththa mazhayila is a big win by itself. But what is even more interesting is the delightfully inventive melody Sam cooks up in it ...

Jeet recycles his own 2013 rock ballad Man majhi re from Boss admirably well in Sun le zara; the original Bengali song’s singer Arijit reprises his role as well. Singham ...

Keba’s electric guitar and bass are instantly alluring in Kutti poochi, adding an almost surreal layer to what is essentially a simple, resonant folk tune. Manicka Vinayagam carries Muthamil’s lyrics ...