Many of Joyce's adjectives in "Araby" create a drab and dull atmosphere. This technique is not subtle, and we can see here that choices like "musty," "waste," and "useless" all convey the …

“Araby” is the third entry in James Joyce’s 1914 collection of short stories, Dubliners. Critics have thematically separated Dubliners into three sections—childhood, adolescence, and …

Symbols in Araby James Joyce’s "Araby" is rife with symbolism, particularly symbolism that supports religious or romantic themes.

The story of “Araby” is very much grounded in the reality of Joyce’s own history. When he was young his family lived in a suburb of Dublin, Ireland, and in 1894 the Joyce’s lived in a house …

“Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger.” Joyce’s story remains a convincing representation of an …

Told from the perspective of a young boy, whose name we never learn, the events of “Araby” are fueled by the narrator’s infatuation with a girl known only as “Mangan’s sister.”

The narrator is overly-idealistic about his adoration of Mangan’s sister, and this extends further to his idealism about Araby. This idealization only makes the narrator’s imminent fall more painful …

Much of the tired, gloomy imagery Joyce uses in “Araby” can be connected to the historic context of the story. Joyce specifically uses contrasting light and shadow imagery to demonstrate the …

James Joyce Biography for Araby: The life of James Augustine Aloysius Joyce is interwoven so inextricably with his work that to consider one requires considering the other. The definitive …

Joyce includes many words and phrases that help give “Araby” an at-times gloomy, at-times naively hopeful tone. The prevalence of the color brown, the condition of the garden, and the …