Maciste in Hell (1925) was the first movie Federico Fellini could remember watching in a cinema This silent Italian fantasy-horror, directed by Guido Brignone, left an indelible mark on young Fellini, who later recalled its extraordinary visual imagination, grotesque figures, and dramatic chiaroscuro. | History of Cinema

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The suit was not just a grotesque craft project; Gein admitted he intended to wear it, hoping to “become” his deceased mother by literally stepping into her skin. This chilling detail cemented his place in criminal history and inspired fictional killers like Buffalo Bill in The Silence of the Lambs and Norman Bates in Psycho. The skin suit remains one of the most disturbing examples of how Gein’s obsession with d*ath, control, and identity manifested in unspeakable ways. | Morbid Curiosity